Brian "Donkey" Morgan was first taught to sing old folk songs at an early age by his grandmother, Dorothy Andersen. A lifelong music teacher, she also introduced him to his first guitar at the age of five, which he still has. He discovered a passion for singing the old songs with his friends shortly before leaving for college. "We would go out into the woods, dig a little pit for a small fire, and pass a jug around while we sang." He smiles while he recounts, "We were all collecting songs and sharing them with each other then. We would dig through old university library basements, as far away as the east coast. We would learn from any singers we might meet traveling across America, and from any any recordings we could get our hands on. We soon had so many that the sun would rise on our "evenings" together and still we would be singing."
As his friends drifted apart and started raising families, Brian began to share this type of activity with others who hadn't encountered it before. "This is an activity that mankind has always taken part in, something pivotal to most cultures throughout history, but that mainstream America has largely set aside for one-sided forms of entertainment. It's missing... but it's important." Brian was born in the rural midwest, but his family moved down to the growing Dallas metroplex area just after his formative years. His youth was spent split between the city and the farm. "I don't really belong where I'm from anymore, but I don't consider where I'm at "home," he shrugs. He identifies with songs of loss, especially immigration songs such as Spancil Hill. "I like a bittersweet note somewhere in an evening. It's a reminder of places now inaccessible, times past, and beloved people long lost. The deepest losses in our lives are best remembered in the abstract, and I can't think of a better time than during an evening of singing and playing merry ditties." "Our band... Matt, Josh, and Kelvin and our patient, supportive wives are as much my family as anyone is. It's a cooperative effort that we all love. The whole is so much greater than the sum of the parts. We don't sing for people, we sing with them. When we play and sing, we are going somewhere, leaving our cares behind, and we hope everybody else in the room will come along!"
At the 2015 North Texas Irish Festival, Brian just celebrated twenty years of attendance (and the first performance there by Slugger's Rule,) by upgrading to a lifetime membership with the SCMA. He's looking forward to becoming more involved in the near future.